Watch Online Blueprint of a Battle: The Snow fight song. Watch Online Blueprint of a Battle: The Snow fight aids. Watch online blueprint of a battle: the snow fight free. Dangerous Fight Between Women Must Watch - video dailymotion. Watch online blueprint of a battle: the snow fight cast. Watch Online Blueprint of a Battle: The Snow fight. Watch Online Blueprint of a Battle: The Snow. Watch Online Blueprint of a Battle: The Snow fight night. Watch online blueprint of a battle: the snow fight movie. On July 1, the Battle Of The Sommes centenary will see a defining event in British history remembered across the country. Cinema has some invaluable tools to help do just that, as the Imperial War Museums new Real To Reel: A Century Of War Movies exhibition will illustrate next month. As background to those momentous events, Empire has assembled a list of the best movies from a war overrepresented with greats. Heres 18 you need to see. 1. Paths Of Glory (1957) Alongside All Quiet On The Western Front and La Grande Illusion, Stanley Kubrick s movie is the greatest of all World War I films. After an ill-conceived attack on a heavily fortified German position called the Ant Hill, conniving French generals Adolphe Menjou and George Macready demand scapegoats to cover their own incompetence. The cruel show trial that follows sees three soldiers tried on trumped-up charges of cowardice, an injustice assailed by Kirk Douglas s noble Colonel Dax, their advocate in the kangaroo court. The final scene, meanwhile, is one in the eye for anyone who thinks Kubrick is a cold fish. 2. King And Country (1964) Joseph Losey followed up The Servant with a ferocious court martial drama that also starred Dirk Bogarde. Tom Courtenay, a hero of the British New Wave, plays a different sort of class outsider as a Tommy who is found walking home after a Passchendaele engagement leaves him as the sole survivor of his unit. Rather than a likely case of shellshock, the powers-that-be try him by court martial like hes the Flanders Pigeon Murderer. Courtenay is heartbreaking as a broken man crushed under the wheels of a callous system. 3. All Quiet On The Western Front (1930) Famously, Hitler hated Lewis Milestones World War I classic, despite (or, perhaps, because of) its German perspective on the conflict. In fact, the Nazis hated its anti-war message so much that they released Nazi rats into cinemas, before eventually banning it altogether. Milestone shows the war through the eyes of young Paul Bäumer (Lew Ayres) who survives long enough to see it snuff out a generation around him. The directors technical wizardry still staggers, with virtuoso tracking shots, whistling whizz-bangs and thousands of extras lending realism to its battles. But its in the moments of quiet that he captures the confused logic of the war. 4. The Battle Of The Somme (1916) Part of The Imperial War Museums new exhibition is a study of this groundbreaking documentary set over the broken ground of the Somme battlefield. For anxious audiences back in Blighty, its release in August 1916 was the equivalent of a Sky News bulletin filling them in with a (heavily censored and very sanitised) account of the events of early July. Anyone with an aversion to cliffhanger endings was fresh out of luck: the battle would go on for a further four months. 5. La Grande Illusion (1937) Jean Renoir's masterpiece proves that old Samuel Johnson adage about patriotism being the last refuge of the scoundrel. The director, a veteran of the war, had some things to say about the futility of fighting to preserve a dying social order, or men killing out of misplaced idealism. He lays bare the war's huge social impact of the war, with a famous ending that sees aristocrats Erich von Stroheim and Pierre Fresnay accepting that their time has passed, while the working class Jean Gabin and Jewish Marcel Dalio escape across the Alps to an equally uncertain future. “Frontiers are made by men, ” points out Dalio, “nature doesn't give a damn”. 6. The Dawn Patrol (1938) Of all the films about the Royal Flying Corps – Blackadder s 20 Minuters – this one has the most moustaches. Fittingly, they belong to the faces of Errol Flynn and David Niven, a two-man debon-air force thats a match for anything the Hun can throw at them. They play a pair of RFC pilots whose devil-may-care attitude hardens as their squadron is gradually decimated. With booze-soaked fliers and every mission an open invitation to a fiery death, it was strong medicine for audiences on the verge of another war. 7. Sergeant York (1941) Like a black-and-white Expendables, Howard Hawks war flick was a straight-up tale of heroism served to a nation that needed rousing for another war. Unsurprisingly, considering the films propaganda role, the Germans dont come out of it too well – theyre basically unusually sneaky cannon fodder for Gary Coopers doughboy – but the essence is of a good man doing his duty… and everyone elses too. 8. Wooden Crosses (1932) Frances answer to All Quiet On The Western Front is less misty-eyed in its portrayal of men in the front line than the Hollywood epic. Theres not much room for sentiment in its gnarled bunch of Gallic foot-soldiers – both Joie and De Vivre have long since left town – as they attempt to make it to the end of 1915 in the same number of pieces as they entered it. The battle sequences are both stunning and futile and theres a macabre subplot involving a dugout the men are forced to occupy even while German tunnellers surround it with explosives. 9. The Four Horsemen Of The Apocalypse (1921) The guns had only been quiet for two years when this classic Great War flick wrapped. Rudolph Valentino (or, if youre not into the whole brevity thing, Rodolfo Alfonso Raffaello Pierre Filibert Guglielmi di Valentina) starred as an unusually dashing French poilu who fights bravely in the face of the apocalypse, while nursing a tender romantic subplot to his heart. Its battle scenes are still impressive. Contains as much noise and fury as could be squeezed into a silent movie, as well as an fairly stereotypical portrayal of the dreaded Hun. 10. The Big Parade (1925) King Vidor brought World War I back home to America on a typically epic scale. Like Michael Cimino and The Deer Hunter 50 years later, his interest lay in showing wars grievous impact back home, but he threw in some thunderous battles, too, to show what doughboys had faced at the front. Vidors silent spectacular was one of the highest grossing film of its time and earned plaudits from veterans for its depiction of the Battle Of Belleau Wood in 1918. 11. Lawrence Of Arabia (1962) David Lean s great desert epic doesn't need much introduction, but the wartime history it depicts might. Those mahoosive camel charges and wrecked troop trains, so breathtaking on the big screen, dont always tally with events (the Bedouin attack on Aqaba in 1917 was, in reality, a much smaller affair) but Leans epic dragged the much-neglected Arab Revolt and Middle East campaign into the popular consciousness. Its long, sure, but its inner complexities justify ever moment of its runtime. 12. Oh! What A Lovely War (1969) Richard Attenboroughs first directorial feature is an enduring satire of the war. A musical, it uses the songs of the time to chart the conflict from origins to armistice, ending with a single shoot that lingers long in the mind - a sea of British graves stretching endlessly across a verdant landscape. The ensemble cast was a Whos Who of British thesps (Bogarde! Gielgud! Olivier! Redgrave! Another Redgrave. but its John Millss portrayal of General Haig, playing leapfrog as the casualty figures pour in, that best captures the madness. Not subtle, but certainly powerful. 13. Aces High (1976) Basically R. C. Sherriffs play, Journeys End, fitted with twin machine-guns and a propeller, this bleak British war film is set in the air but soaked in the fatalism of the trenches. Malcolm McDowell is the hard-drinking Stanhope figure, trying to hold his nerve, keep his squadron together and live up to the hero worship of newbie pilot Peter Frith. If youre familiar with the play, youll know that things dont end well for his RFC pilots, including nervy Simon Ward and old salt Christopher Plummer, as a series of spectacular dogfights does for them all. In contrast to propaganda flicks like Sergeant York, Aces High takes notions of heroism and drops a bomb on them. 14. Gallipoli (1981) The film that launched Peter Weir and Mel Gibson onto the international stage, Gallipoli shows the war from Australias point of view, culminating in the futile, bloody Battle Of The Nek against the Turks. Weir freights it with political meaning – the Anzacs are sent over the top while the Brits sip tea on the beach – as well as raw emotion. Its become a key statement of Australias national identity, as well as a seminal anti-war film. 15. Regeneration (1997) Both elegiac and gut-wrenching, Regeneration should have led on to bigger things for director Gillies MacKinnon. Sadly this moving adaption of Pat Barkers Booker-winning trilogy never found an audience. Mores the pity: from its opening, an lingering overhead shot that impassively absorbs the full horror of no-mans land, to subtle character studies of war poets Siegfried Sassoon ( James Wilby) and Wilfred Owen (Stuart Bunce) its a brilliant exploration of trench warfares brutal impact on the psyche. As compassionate neurologist William Rivers, Jonathan Pryce is a far cry from the High Sparrow. 16. The Trench (1999) Novelist William Boyds first film is set in the nervous lull before the first day of the Somme. Its an unusual perspective on the bloodiest day in British history, showing the huge tension soldiers endured in the prelude to the big push and examining the nature of comradeship in the trenches. The platoon of stock characters, Cillian Murphy, Daniel Craig and Ben Whishaw among them, owes something to Sherriffs Journeys End, and Peter Weirs Gallipoli has its freeze-frame ending pillaged, but its an earnest and ultimately heartbreaking microcosm of Britains costliest battle. 17. A Very Long Engagement (2004) A love story, mystery and war film all wrapped Jean-Pierre Jeunet s magical-realist touch, A Very Long Engagement harks back to the behind-the-lines love stories of Big Parade, Wings and Four Horsemen Of The Apocalypse, as well as the outrage of Paths Of Glory. Theres the mindless folly of frontal attacks, shellshock, exploding airships, artillery fire and barbed wire as far as the eye can see, with Jeunet depicting the blithe disregard for casualties that became a feature of the war. Credit to production designer Aline Bonetto whose recreation of the Somme battlefields (and 1920s France) earned her an Oscar nomination. 18. The African Queen (1951) John Huston s adaptation of C. S. Foresters novel is more romance than war flick, but it does dip a toe into the croc-infested waters of the German East Africa campaign. The Congo setting is a world away from the morass of the Western Front, with mozzies for mud and rapids rather than artillery to worry about, but the Germans, village-burning bounders to a man, are every bit as detestable as the World War II Nazis Bogart faced in Casablanca. Bogey and Katharine Hepburns impromptu mission to sink a German gunboat was a construct of the story, but it was inspired by the real Battle for Lake Tanganyika in 1915. The Imperial War Museums Real To Reel: A Century Of War Movies runs from July 1 to January 8, 2017.
Season 8 has been building up to the Battle of Winterfell. Jon Snow, Daenerys, Arya, and more of our favorite characters go up against the Night King in their toughest fight yet. The Battle of Winterfell has arrived. The April 28 episode of Game of Thrones is the shows biggest and longest episode to date at 82 minutes. The episode took 55 days to film, so its going to be epic in scale. Pretty much every major character will be fighting for their lives against the Night King and his undead army. Jon Snow, Daenerys, Arya, Jaime, Brienne, and more will have a major role in the battle ahead. Not everyone will make it out alive. The battle of the living versus the dead will be unlike anything weve ever seen before on television. Who will survive? Who will fall? This episode is going to be game-changing. The episode begins with Sam trembling. Hes terrified about whats ahead, even though hes armed with dragonglass. Everyone is assembling for the battle. Tyrion is walking around Winterfell getting ready. Theon is taking Bran to the Winterfell godswood. Arya and Sansa look out at the darkness ahead, awaiting the Night Kings army. They see Rhaegal and Drogon flying overhead. The army of the living is lined up and ready. No one knows what is next. Brienne, Podrick, Jaime, Tormund, The Hound, Gendry, Dolorous, Sam, Jorah, and the rest take their places. Everything is quiet — but only for a moment. Jon Snow and Daenerys are with the dragons looking out at Winterfell. Theyre going to wait until the Night King shows himself before they make their move with their dragons. Suddenly, someone on horseback comes up to Jorah. Its Melisandre! Shes back, just like she said she would be. She tells Jorah to tell the Dothraki army to lift their swords. She casts a spell and their weapons become flaming weapons. Now thats how you make an entrance. Davos sees Melisandre and opens the gates for her. She says that theres no need to execute her because shell be dead before dawn. She catches a glimpse of Arya staring down at her. Melisandre is still on Aryas kill list. The Dothraki begin to charge ahead to fight. Cannons of fire are catapulted towards the Night Kings army. Suddenly, everything goes silent. The Dothraki weapons are no longer burning. There is nothing but darkness ahead. A few men, including Jorah, come back. “The Night King is coming, ” Jon Snow says to Daenerys, who quips, “The dead are already here. ” She doesnt want to see her Dothraki men die like this. The Night Kings army comes running and they take everyone by surprise. The rest of the army begins to fight but they barely stand a chance. Brienne is pummeled to the ground by wights. Thankfully, Daenerys and Jon Snow come to help with Rhaegal and Drogon. Jon Snow rides towards the White Walkers, but he can barely see anything. Jon Snow and Daenerys are burning any wights they can as quickly as they can. Arya sees whats happening and tells Sansa to go to the crypts. She gives her a dragonglass dagger. Sansa goes down to the crypts. When Tyrion sees her face, he knows things arent going well. Jaime, Brienne, Tormund, Sam, and Podrick continue to fight. Sam nearly dies but is saved by Dolorous, who is then killed by a wight. Brienne and Tormund tell everyone to pull back and Lyanna Mormont opens the gates for them. Greyworm and the other Unsullied continue to fight outside the gates. Jon Snow and Daenerys are still out there, while Theon is with Bran at the godswood. Arya uses her bow and arrow to take out a wight thats about to catch The Hound. The Night Kings army is just decimating the army of the living. Greyworm makes the gut-wrenching decision to close the gates. Melisandre is just merely walking around all of the chaos. She walks out in front of everyone and begins chanting a spell. Just in the nick of time, the barrier around Winterfell lights on fire. Melisandre comes through finally! Tyrion, Varys, and Sansa are waiting in the crypts. Tyrion feels guilty for not fighting. Sansa says that the most heroic thing they can do is sit here. “Thats why were down here. None of us can do anything, ” Sansa says. Sansa and Tyrion share a light-hearted moment when Sansa says that he was the best of her husbands after Tyrion jokes they should have stayed married. “It wouldnt work between us, ” Sansa says. Why? Because of Daenerys. His divided loyalties would become a problem. Missandei sticks up for Daenerys, saying theyd all be dead if it wasnt for her. At the godswood, Theon tries to apologize to Bran for what he did in the past. Bran tells Theon that everything he did brought him to where he is now: home. The dead begin to make a bridge through the barrier, so they can all get through to Winterfell. Jon Snow spots the Night King riding Viserion in the distance. Hes coming. Meanwhile, the wights continue to make their way up the walls of Winterfell. Gendry, Jaime, Brienne, and the others begin to kill wights as they climb up the walls. Jaime is surrounded by wights and Brienne comes to his aid. They fight side by side in a truly epic moment. The Hound is trying to get it together but is terrified of the fire. Beric tries to encourage him to fight by telling him to look at what Arya is doing. Arya is killing wights left and right with her epic weapon created by Gendry. Davos looks at her with such pride. Suddenly, shes slammed into a wall by a wight. She manages to escape, thank God. But shes not at 100 percent anymore. Lyanna Mormont is tossed to the side by a huge undead giant, but shes not backing down. She runs right up to the giant. He grabs her and begins to crush her. Before he can kill her, Lyanna proves shes the greatest by stabbing the undead giant in the eye with her dragonglass dagger. She goes down a hero by taking down the biggest person in the fight. Rest in peace, mighty one. Meanwhile, Jon Snow and Daenerys are trying to fight off the Night King and Viserion, but this is taking them away from helping the others. Arya hides from multiple wights inside Winterfell. She cant make a sound or theyll find her. Unfortunately, they can hear the sound of her blood dripping onto the floor. She throws them off her trail, and just when she thinks shes safe, they all come busting through the door next to her. She begins to run through the halls of Winterfell trying to escape. Sansa and the others in the crypt can hear the people above dying, but soon everything goes silent. The Hound and Beric are walking through the halls of Winterfell. When they turn a corner, a wight pushes Arya through a door onto the floor. Beric saves her by throwing his flaming sword straight through the wight. The three of them fight off more wights and Beric sacrifices himself as The Hound carries Arya to safety. Arya and The Hound find a safe room and thats where Beric spends his final moments. Melisandre is there, too. “The Lord brought him back for a purpose, ” Melisandre says to Arya about Beric. Berics purpose was to save Arya. She later asks Arya, “What do we say to the God of Death? ” Arya knows the answer. “Not today, ” she says, before running off. The Night King begins destroying Winterfell with Viserion. Viserion and Rhaegal begin to fight in the air. In the midst of the chaos, the Night King just lets go of Viserion and falls. Viserion goes down and Jon Snow is thrown off Rhaegal. Theon is fighting off wights in the godswood as he and Bran await the Night King. Daenerys is still riding Drogon and shes the one who spots the Night King on the ground. “Dracarys, ” she says to Drogon, before lighting the Night King on fire. But the Night King is not dead. Hes still standing amidst the flames. The Night King walks among the ruins and Jon Snow comes up behind him. Jon is running towards him when the Night King begins to raise the Unsullied and the others as part of his undead army, including Lyanna and Dolorous. He leaves Jon Snow to fight off the undead Unsullied. Daenerys comes in with the save with Drogon. The White Walkers begin to make their way to Winterfell. In the crypts, wights begin to attack. Tyrion, Sansa, and the others run for their lives. Jon Snow knows he has to get to Bran and Daenerys tells him to go. The wights start to attack Drogon and Daenerys falls to the ground as an overwhelmed Drogon flies away. She is surrounded by wights and is about to be taken down when Jorah comes to save her. Jon Snow witnesses the carnage as he walks through Winterfell to get to Bran. Theon is still fighting off wights as Bran does his warging thing. Tyrion and Sansa are still hiding in the crypts as the wights take over. Sansa takes out her dragonglass dagger. If they die, theyre going to die together. They hold each others hands and Tyrion kisses Sansas hand before they make a run for it. Everyone is completely overwhelmed by the Night Kings army of the undead. Theon fights off every wight he can before the Night King and the White Walkers show up. Bran comes to and says to Theon, “Theon, youre a good man. Thank you. ” Theon knows whats about to happen. He has accepted his fate. He runs straight towards the Night King and the White Walkers completely unafraid of death. Theon dies at the hands of the Night King. Jorah is still defending Daenerys outside Winterfell. Hes been stabbed and beaten down, but hes not dead yet. Hes going to fight to the end for his Khaleesi. The Night King makes his way towards Bran. They come face-to-face once again. Theres a gust of wind that blows the hair of one of the White Walkers, but its not the weather. The Night King starts to grab his sword when Arya comes in for the win. He turns around and grabs her by the throat. She drops Littlefingers Valryian steel dagger, but catches it and stabs him right in the heart. The Night King and his army turn to ice and go down one by one, thanks to Arya Stark. ARYA STARK JUST SAVED EVERYONE. When its all over, Arya and Bran just stare at each other. Jorah collapses when the fighting stops. “Im hurt, ” he says to her. Daenerys cries as Jorah takes his last breaths. Drogon comes back by her side and puts his wing around his mother as she holds Jorahs body. No one has ever loved Daenerys like Jorah has. Melisandre walks out among the dead. She takes off her necklace, revealing her true self to Davos. She takes her final steps out in the distance. If not for Melisandres pep talk, Arya wouldnt have killed the Night King.
Watch online blueprint of a battle: the snow fight youtube. Watch Online Blueprint of a Battle: The Snow fight night round. Watch online blueprint of a battle: the snow fight scene. Watch online blueprint of a battle: the snow fighting. Watch online blueprint of a battle: the snow fight videos. Welcome to Final Path, the first installment in a new regular feature leading up to the final season of HBO's Game of Thrones. In every Final Path, The Hollywood Reporter 's resident Westeros expert Josh Wigler will offer a deep dive into one character's journey through seven seasons, as well as what can be expected in the upcoming eighth and final season. First up: Jon Snow. Game of Thrones ends its historic run in April, with a final season set to unfurl across six episodes. What will happen to Jon Snow (Kit Harington) Daenerys Targaryen (Emilia Clarke) Tyrion Lannister (Peter Dinklage) and the other heroes and villains fans have come to know and love since the drama debuted in 2011? Who will sit upon the Iron Throne? Will there even be an Iron Throne, or will Westeros itself join the likes of Ned Stark (Sean Bean) and Littlefinger (Aidan Gillen) on the high-stakes list of shocking casualties? The answers to all of those questions are set to arrive in short order, which leaves us with limited time to make final predictions about the Game of Thrones endgame. In that spirit, The Hollywood Reporter launches our Game of Thrones: Final Path series. Every week, we will chronicle the journeys of the main series regulars thus far, with an eye toward predicting where each of these characters may very well end up when the long night comes to an end. From its original beginning as George R. R. Martin's A Song of Ice and Fire novel series through the adaptation helmed by David Benioff and Dan Weiss, Game of Thrones has been heralded for its focus on several different characters, rather than any one hero. With that said, if there's any one player who fits the traditional protagonist bill, it's Jon Snow, thanks to his front-row view of the White Walker war, his current position as Lord of Winterfell and his role as a member of two great Westeros houses — only one of which he currently knows about. As we mark the inaugural stroll down the Final Path, there's no one better to launch us off than Jon. Without further ado, read on for more about the King in the North's past, present and potential future. Name and Titles: Jon Snow, the King in the North, former Lord Commander of the Night's Watch, the White Wolf, the Bastard of Winterfell — and, should he ever find out, Aegon Targaryen, the Prince Who Was Promised. First Appearance: Winter Is Coming. the first episode of the series. Jon is first seen with his half-siblings Robb (Richard Madden) and Bran (Isaac Hempstead Wright) instructing the younger of the two in archery. One wonders if the lesson will come full circle in the final season, either when Bran finally (hopefully. tells Jon about his Targaryen lineage, or if Jon points Bran in the right direction of taking down the Night King once and for all. Last Appearance: Jon was last seen with Daenerys, consummating the growing attraction between them over the course of season seven. (Incidentally, Tyrion was last seen peeping on the two of them; awkward. The awkwardness will only grow in power if and when Jon finds out that he's the son of Rhaegar Targaryen, and therefore Dany's nephew. Best Friends: Aside from the albino direwolf Ghost, one of only two surviving Stark animal sidekicks still alive in the series? Samwell Tarly (John Bradley) is at the top of Jon's list, the two of them forging an instant bond during their initial days together as Night's Watch rookies. Since then, the social circle has expanded greatly, with closest confidants including but not limited to top adviser Davos Seaworth (Liam Cunningham) Free Folk figurehead Tormund Giantsbane (Kristofer Hivju) and acting Lord Commander Dolorous Edd (Ben Compton. Worst Enemies: There have been many, for sure: Alliser Thorne (Owen Teale) the Night's Watch master-at-arms who tried to thwart Jon Snow for years until an ill-advised mutiny play left him hanging in the cold; Karl Tanner of Gin Alley, played by Burn Gorman, who ate a mouthful of Jon Snow's Valyrian steel at the end of his mutinous reign at Craster's Keep; Mance Rayder (Ciaran Hinds) the King Beyond the Wall, with whom Jon managed to maintain a respectful rivalry, ending in a mercy killing at the start of season five; and Ramsay Bolton (Iwan Rheon) the temporary Lord of Winterfell who fell hard during the much hyped "Battle of the Bastards. At the end of the day, of course, Jon's greatest adversary is the one he has yet to face for the last time: the Night King, the monstrous ruler of the White Walkers. Their final confrontation is right at the top of the list of most anticipated moments when season eight arrives. Best Kill: The White Walker at "Hardhome. the surprise battle at the climax of season five. As the Night King's army fell down upon the Wildling stronghold, Jon and his allies faced impossible odds against the overwhelming number of zombified wights. Though the battle was mostly a wash, Jon managed at least one triumph: successfully wielding Longclaw against a White Walker, shattering the unholy creature into thousands of icy pieces. Not only was it one of the most mesmerizing action scenes in Thrones history, it was also highly instructive of the series' future direction: Valyrian steel is to White Walkers as Kryptonite is to Superman, giving mankind an edge (both a literal and slight one) in the final war ahead. Worst Wound: The list of injuries Jon has sustained over the seasons is vast, including but not limited to multiple arrows in his body, a magical eagle clawing at his face, and a high chance of a small case of pneumonia after being submerged in frozen waters beyond the Wall. All these wounds pale in comparison to the big one: literal death, as Jon was betrayed and murdered by a gang of Night's Watch mutineers, led by Aliser Thorne. Jon eventually came back from the dead, thanks to Melisandre (Carice van Houten) but the 12 hours or so he spent beyond the grave … yeah, that's number one on the "worst wound" list with a Valyrian bullet. Critical Moments: Unlike his worst wound, it's hard to pick just one. Is it Jon deciding to stick with the brothers of the Night's Watch, even in light of the news about his father's death in King's Landing? Is it Jon's undercover mission with the Wildlings, in which he not only fell in love for the first time but also opened his heart to the plight of a less fortunate people? Is it Jon's first true heartbreak, when he lost Ygritte (Rose Leslie) at the Battle of Castle Black? How about becoming the Lord Commander of the Night's Watch, allowing Wildlings through the Wall and dying for his ambitions — which, of course, led to him coming back to life, for reasons that are still not yet altogether clear? Perhaps it's the moment in which he won the Battle of the Bastards and went on to become the King in the North, a title that earned him an audience with Daenerys, very likely the love of his life? In truth, it's likely that the true defining moment for Jon Snow is yet to come, as he still does not know about his roots as a Targaryen, nor has he faced down the Night King one last time. Unresolved Mystery: An easy one to name, a harder one to reconcile. Jon Snow is at the heart of the biggest mystery in Thrones lore, albeit one that's now coming into starker focus: his parents' true identity. Jon has spent much of his life believing he's the bastard son of Eddard Stark. In reality, he's the legitimate son of Rhaegar Targaryen and Lyanna Stark, the product of a forbidden love, and the man with the best claim toward the Iron Throne — theoretically, at least. Two people know about Jon's true origin: Sam Tarly and Bran Stark. Will they reveal the truth to Jon? It's very likely the first order of business when Jon returns to Winterfell (an arrival already confirmed by HBO's first final season teaser) where both Bran and Sam are waiting with a big secret in their back pockets. Final Prediction: Jon Snow must learn that he's the son of Rhaegar and Lyanna. At least, that's the conventional thinking. Given the slow pace at which Thrones revealed Jon's true parents, it's entirely possible the drama will continue to unfold at a crawl for Jon himself, should the White Walkers arrive at Winterfell in a fashion that makes a sit-down with Bran and Sam an impossible affair. What happens if Game of Thrones ends without Jon Snow ever learning that he's a secret Targaryen? Some may find it an unsatisfying resolution to the story, if one can even call it a resolution at all; others may find some solace in the fact that, hey, at least Jon and Dany don't have to have an awkward conversation! There's a reason why it's worth entertaining the notion of Jon never learning about his history. All series long, Jon has rushed headlong into the thick of conflict, acting first and thinking later. Look no further than his initial escape from the Night's Watch to avenge his father back in season one, or the countless other examples along the way: Jon foolishly launching right into the Battle of the Bastards, and his social strategy faux pas when dealing with Cersei Lannister (Lena Headey) at the Dragonpit summit in season seven, as two recent examples. Even though the teaser confirms Jon will arrive in Winterfell at a relatively violence-free moment in the final season, there's no telling how long he'll stay, especially since we know the White Walkers are already in the Seven Kingdoms. Yes, Jon would eventually find out about his Targaryen roots if he and the right people survive the war against the Night King … but that's a big if, frankly. Indeed, when it comes to Jon, we're ready to make the declaration now: He won't survive. Jon Snow ranks high on our list of main characters who will not walk away from the series finale with their lives intact. A future as the King of Westeros feels far too neat for someone as brooding and headstrong as Jon Snow. He's a reluctant leader at best, and a relatively bad one in reality; his ideals and heart are in the right place, but his ideals and heart have also literally gotten him killed once before. Further, an ending in which Jon rules the Seven Kingdoms because it's his secret Targaryen birthright is simply too tidy for a world as chaotic and messy as the one Thrones occupies. Before Jon's story ends, however, there's much to accomplish. He must battle the Night King one last time. As a secret Targaryen, he should probably ride a dragon at least once or twice. (Here's looking at you, Rhaegal. Assuming he dies (it's easy to see him pulling off some kind of sacrifice play against the White Walkers) Jon's legacy may yet live on, pending the results of his romantic evening with Dany, and certainly if the greater Westeros finds out about either his Targaryen origins or the role he played in fighting against the White Walkers. Even then, legacy isn't something that should matter much when it comes to a satisfying resolution for the Jon Snow story. The most fascinating aspects of Jon have always been the questions surrounding him, not the answers. This is not a man who cares much at all about glory; he cares only about duty. As long as Jon is able to do his duty and play a pivotal role in ending the Night King's reign, then at least he will walk away from this series with satisfaction in his heart, credit be damned. Last Hope: Is it too much to ask for one final scene between Jon and his adoptive father, Eddard Stark? The last time they were together, all the way back in season one's second episode, Ned said: The next time we see each other, we'll talk about your mother. I promise. Ned's long dead now, and good things rarely happen on Thrones, but Bran Stark can crawl across time, and has even interacted with a younger version of Ned in the past; is there any chance Bran can take Jon on one of his jaunts through history and connect the two men for an emotional reunion? It's perhaps too sappy for Thrones, but if it serves the dual purpose of enlightening Jon on his true history as a Stark-Targaryen hybrid, then the sappiness will be well worth the cost. Follow for continuing coverage. Game of Thrones returns April 2019.
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